荒誕肢體戲劇《黑鵝湖》，劇場裡的一部“黑白默片”！

磁場藝術節

荒誕肢體戲劇《黑鵝湖》

Magnet theatre

An absurd physical dumb show

體驗荒誕又暖心的別樣體驗，告訴你信念的力量。

Experience an absurd and heart-warming experience，tell you the power of faith。

劇目簡介

蘇丹導演2018年五部公演新作品之一，具有“暗黑系”風格的荒誕肢體戲劇《黑鵝湖》，也是磁場藝術節戲劇版塊的第二部上演的作品。

Synopsis

One of the 5 new performances directed by Su Dan in 2018， an absurd physical dumb show with a ‘darkness’style-，and it will be the second performance of the Magnetic Field Art Festival。

故事梗概

故事發生在中世紀的歐洲的一個小鎮，因為瘟疫的爆發導致人口大量死亡，屍體成堆無處安放，曾經輝煌的劇院因為經濟的蕭條而逐漸沒落，並最後被勒令徵用，將劇院改成了埋葬屍體的墓地。

劇院的老闆，因往日的榮光散去而無法面對現實，終日遊蕩在曾經的劇院，淪為了墓地的守夜人；而這片墓地中有三個曾於劇院結緣的靈魂，因為不同的糾葛同樣不願安息，他們分別是曾經鎮上的妓女、有家族繼承權的公爵長子、和一個鬥牛士；故事講述了是守夜人與這三個靈魂之間發生的故事。作品以老式黑白默片的氣質，輕鬆幽默的肢體，展現了不同階層，以樂觀詼諧的態度與殘酷現實的對抗、對自我心中那塊“自留地”的堅守。

Outline of the story

The story took place in a small town in the Middle Age of Europe， a large number of people died because of an outbreak of plague， piles of corpses nowhere to bury， and the depressed economy made a once glorious theatre going down， and ordered to commandeer as a cemetery burying corpses at last。 The theatre owner unable to face the thing happened， keep wandering and became a grave-keeper。There was three ghosts tied up with the theatre before， unwilling to rest with different reasons。 They were a prostitute in the town， the eldest son of the Duke with the inheritance of the family and a matador。The performance tells a story happened between the grave-keeper and three ghosts， it takes the spirit of black-and-white silent film， humorous movements to display how people in different stratum use an optimistic and humorous manner to fight with the ruthless reality and hold their‘own place’in heart。

《天鵝湖》是芭蕾中的經典之作，能夠飾演天鵝湖主角的舞者更是鳳毛麟角，雖然大部分人沒有機會在人生的舞臺上扮演“白天鵝”，但執著與努力，也可讓他們舞出一曲獨特的《黑鵝湖》。

is a classical work in ballet， dancers who could act the protagonist of it are rare breed， even most of people can’t have chance to act the‘swan’in their life， but with perseverance and effort， they could play the in a special way。

團隊介紹

導演

蘇丹 SUDAN

出身藝術世家，創作風格帶有極強的 “反叛”精神及天馬行空的想象力，自2010年創辦北京木馬劇場開始，便在戲劇領域不斷釋放旺盛的創作力，透過《迷偶》、《時光戀人》、《職場急診室》、《時光嘉年華》等前期作品逐漸形成了鮮明的個人風格。因其同時在音樂創作及裝置藝術領域的大量創作，使她的作品更加豐富、前衛，極具視聽衝擊力。

作為“裝置戲劇”開創者，透過用裝置藝術、機遇行為藝術、戲劇，三種藝術門類合而為一的表現形式，不停探索新的表演模式及觀演關係，曾在 2014年上海國際藝術節中，成功將日本導演巖井俊二的電影《 愛的捆綁undo 》搬上戲劇舞臺，作品引起國內外媒體平臺大量關注。之後還在裝置戲劇的基礎之上，創作出《 愛·味—再見，路易斯。康 》、《 Illusion Show 》等具有實驗精神、強調感官探索的成熟作品。

Director’s Introduction

SU DAN

Born in an artistic family， there’some‘rebellious’spirit in her creative style and she has an unprecedented imagination。Since she started the Trojan House in 2010 in Beijing， and begin to release her strong creative power in the field of drama， through，， ， and other early works to built her distinct personal style。Because of her large number of works in the field of music creation and installation art， her projects has become more plentiful， vanward and full of audiovisual impact。As the pioneer of installation drama， she mixes installation art， opportunity performance art and drama the three types of art together to explore new performance mode and the relationship between audience and performers。In 2014， Shanghai International Art Festival， she successfully adapt the Iwai Shunji’s movie into drama and play it on the stage of theatre and had attracted a lot of attention from domestic and foreign media platforms。And then on the basis of installation， she made ， and other mature works emphasize sensory exploration and full of experimental spirit。

執行導演/攝影師

Executive Director/Photographer

耿仁培

Geng Renpei

演員介紹

Introduction of Actors

TINA

洛桑

Luo Sang

胡昊遠

Hu Haoyuan

DIZZYDI